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 * [[image:200px-Villanueva.jpg]]Carlos Raúl Villanueva** (London May 30, 1900 - Caracas August 16, 1975) was the most prominent Venezuelan architect of the 20th century and one of the great Modernists. He played a major role in the development and modernization of Caracas, Maracay and other cities across the country. Among his most important works are El Silencio Redevelopment which included 7,797 apartments and 207 shop premises and the Ciudad Universitaria, the main campus of the Central University of Venezuela, which is considered a masterpiece of modern city planning, architecture and art. The Campus was declared World Heritage Site by UNESCO in the year 2000.

Early life and education (1900-1928) Villanueva was born in the city of London on May 30, 1900. He was the son of Carlos Antonio Villanueva and Paulina Astoul from a family originally from Valencia, Spain who settle in Venezuela in the 18th century. His father was sent as an envoy from Venezuela to the Exposition Universelle of 1889 in Paris where he met Paulina Astoul and married her in 1893. A few years later, in 1896, he was appointed Consul General of Venezuela in England by the government of Joaquín Crespo. Carlos Raúl was born four years later near the Venezuelan Consulate and was the youngest of the five children of the family. In the following years his family moved back to Paris, where he received his basic schooling at the Lycée Condorcet. Later on he moved with his family to Málaga, Spain, until 1919 when he returned to Paris. In 1922, following the footsteps of his brother Marcel, Carlos Raúl was admitted to the Second Class of the Department of Architecture of the École des Beaux-Arts and entered the workshop of Gabriel Héraud. In 1925 he entered the First Class of the Department of Architecture and worked closely with León Joseph Madeline. During that time he collaborated on a project for a //Hôtel d'ambassade a construire dans un pays d'Extreme Orient// with another student of Héraud's workshop, Roger-Leopold Hummel, which won the Second prize of the Grand Prix de Rome in 1928. On June 6 of the same year, he received his Architecture degree and traveled for the first time to Venezuela and the United States where he joined the architectural firm Guilbert and Betelle with his brother in Newark, New Jersey. Yet in 1929 Villanueva returned to Venezuela and started working in the Ministry of Public Works as Director of Buildings and Ornamental Constructions.

First Modernism (1929-1944) After gaining some experience in France and the United States, Villanueva arrives in Venezuela full of enthusiasm and ideas; in particular, thanks to the influence of his close friend Auguste Perret. Both men shared a profound conviction that architecture was the art of organizing space. Consequently, Villanueva sees himself as a man of action and will work countless hours to fulfill his passion. His first jobs were on the city of Maracay, a city which became the de facto capital of the country under General Juan Vicente Gómez. He received his first important assignment in 1929: the "Hotel Jardín". In his reform of the building it was possible to already observe some features that will become common in his designs. Among them were the use of covered galleries to provide protection from the weather and the use of interior courtyards and gardens to harmonize built and unbuilt spaces. His first important commission came in 1935 with the project to build the Museum of Fine Arts of Caracas. This project allow him to create a space for the exhibition of art, one of his most important passions. Already at this time his devotion to the artistic vangards of the century could be seen in his library, where his large collection of books on architecture was complemented by those on art. It was also during this time that he met the sculptor Francisco Narváez with whom he collaborated in the Museum of Fine Arts as well as in a series of other important projects like the "Natural Science Museum"(1936 - 1939) and the "Gran Colombia School" (1939 - 1942) which became Villanueva's first attempt to bring into fruition the guiding principle of career: the synthesis of the arts. The buildings also showed Villanueva's application of some of the most defining ideas of modern architecture like the simplification of form and the importance given to functionality. On January 28, 1938, Villanueva married Isabel Margarita (Margot) Arismendi Amengual and had four children with her.

Museum of Fine Arts Hans Arp (Cloud Shepher) and Mateo Manaure (Mural) at the Ciudad Universitaria

jesus soto museum

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